9205 Table Lamp
First produced around 1950, the 9205 is a classic, almost archetypal, table lamp with an unmistakable Tynell aesthetic. Elegant and slender, the lamp's apparently simple form conceals an extraordinary degree of craftsmanship and highly skilled hand-making. The canvas model's shade is constructed by attaching the fabric to a liner, which is then manually fixed onto a wire frame, while the bamboo is made from a series of slats first sewn together by hand to form a pleated mat before being connected to the liner and frame a contemporary update to the ryegrass cane used in Taito's original model. The stem is milled with a rattan-like pattern, created by a metalsmith using a lathe with great precision and attention to detail to mimic the effect of a series of overlapping strips. A brass plate, screwed into the stem, keeps the shade in place.
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9205 Table Lamp
First produced around 1950, the 9205 is a classic, almost archetypal, table lamp with an unmistakable Tynell aesthetic. Elegant and slender, the lamp's apparently simple form conceals an extraordinary degree of craftsmanship and highly skilled hand-making. The canvas model's shade is constructed by attaching the fabric to a liner, which is then manually fixed onto a wire frame, while the bamboo is made from a series of slats first sewn together by hand to form a pleated mat before being connected to the liner and frame a contemporary update to the ryegrass cane used in Taito's original model. The stem is milled with a rattan-like pattern, created by a metalsmith using a lathe with great precision and attention to detail to mimic the effect of a series of overlapping strips. A brass plate, screwed into the stem, keeps the shade in place.
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Description
First produced around 1950, the 9205 is a classic, almost archetypal, table lamp with an unmistakable Tynell aesthetic. Elegant and slender, the lamp's apparently simple form conceals an extraordinary degree of craftsmanship and highly skilled hand-making. The canvas model's shade is constructed by attaching the fabric to a liner, which is then manually fixed onto a wire frame, while the bamboo is made from a series of slats first sewn together by hand to form a pleated mat before being connected to the liner and frame a contemporary update to the ryegrass cane used in Taito's original model. The stem is milled with a rattan-like pattern, created by a metalsmith using a lathe with great precision and attention to detail to mimic the effect of a series of overlapping strips. A brass plate, screwed into the stem, keeps the shade in place.
